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Unique Stained Glass Art

SANCTUARY WINDOWS

BAPTISM AND COMMUNION

CELTIC CROSS: Sixth Century Cross of the Island of lona in Scotland.

SHELL: Scalloped shell with drops of water symbolic of baptism.

DESCENDING DOVE: Christ's baptism and presence of the Holy Spirit.

GRAPES: The blood of Christ as a symbol of the Last Supper.

WHEAT: The body of Christ as a symbol of the Last Supper.



RECONCILIATION

CROSS: Symbolizing tolerance.

HANDS: Different races clasped to show reconciliation and harmony in the world.

CIRCLE: Signifies the eternal presence of our Lord.

OLIVE BRANCHES OR MYRTLE: Symbolizes peace, harmony, healing and love.

STORM: Turmoil and conflict in the world, with olive branches growing up and away from the storm.

WHITE LIGHT: Spirit of God working within the world.



PREACHING OF THE WORD

CROSS: The anchor cross originated from primitive days in the catacombs - also a symbol of hope and stability in troubled seas.

BOAT: Representative of the Church.

BOW OF BOAT: Represents the pulpit spreading the teachings of God through Jesus.

STORMY SEAS: Problems of the world.

FISH: Earliest Christians used the fish as a primary symbol of their faith.

DOVE WITH OLIVE BRANCH: Peace, harmony and love.



EASTER

CROSS: Wooden shape suggesting timber.

CROWN OF THORNS: Humiliation and suffering of Jesus.

DRAPED CLOTH: Color of Lent and the Crucifixion.

PALM LEAF: Triumph of true faith and Palm Sunday. Branches regarded as sacred from early Semitic times.

LILY: Transfiguration of Christ - also represents innocence. Symbol of Easter and immortality. The bulb decays in the ground, yet from it new life is released.

WHITE LIGHT: God's presence over the world.



CHRISTMAS

CROSS: Latin Botonee Cross with trefoil ends that are budded suggests young Christians.

STAR: Shepherds and kings following the star to Bethlehem.

CRECHE: Crib with Jesus.

POINSETTIA: Joyful symbol of Christ's birth.

HOLLY: Because of its thorny leaves, holly is regarded as a symbol of Christ's crown of thorns - also known as the tree of the cross and a symbol of the Passion of Christ.



PENTECOST

CROSS: Called cross of the suffering with rays of the sun behind.

FLAMES: Seven fold flame which appeared on the day of Pentecost, represents love, joy, peace, long suffering, gentleness, goodness and faith. Galatians 5:22.

DESCENDING DOVE: Most used symbol to represent the Holy Spirit and the Presence of God - expresses innocence and purity. This is the oldest of symbols with the nimbus around the head. Rays oflight were ancient emblems of Divine Power.



CHAPEL WINDOWS

SKY

CROSS: Cross of Triumph, symbolic of the triumph of the gospel throughout the world.

LIGHTNING AND STORM: Common to this area of Florida.

BIRDS: Great Blue Heron, Bald Eagle, Mockingbird, Cardinal, Scrub Jay, Pileated Woodpecker.

INSECT: Monarch Butterfly.

BACKGROUND: Colors of our changing sky in Florida.



EARTH

CROSS: Symbolized by Isaac's bundle of wood. The wood cross recalling near sacrifice of Isaac on the altar by his father, Abraham.

ANIMALS: Panther and Gray Squirrel.

PLANTS: Hibiscus, Pine Branch, Orange Trees, Saw Palmetto, Cabbage Palm, Live Oak and Grapefruit.

REPTILES: Green Anole, and Green Tree Frog.

EARTH: Several shades of green and sand color.



SEA

CROSS: Made from the following shells: Sundial, Purple Sea Snail, Nautilus, Coquina, Whelk, Cockles, Crown Conch, Lion's Paw, Scallop, Kitten Paw, Worm Shell, Auger, Olive, Fighting Conch, Horse Conch, Angel Wing

PLANT-LIKE ANIMALS: Sea Whip

REPTILE: Loggerhead Turtle

MAMMAL: Manatee

FISH: Snook, Tarpon, Sheepshead.

SEA: Shades of water reflecting light and shadow.



LIBRARY WINDOW

THE GOOD SHEPHERD

The Library window was designed by Craig Shepherd in memory of his father, George Shepherd. The beautiful design, The Good Shepherd, depicts a shepherd standing on a hillside watching over his sheep.

John 10:14

"I am the Good Shepherd. As the Father knows me, and 1 know the Father, in the same way 1 know my sheep and they know me."



NINTH CONFESSIONAL BANNER

A STATEMENT OF FAITH
PRESBYTERIAN CHURCH (USA) 202nd GENERAL ASSEMBLY 1990

CROSS: A rainbow of colors representing the celebration of unity with the diversity of cultures and races living in Christ.

BLUE BACKGROUND: Symbolizes the universe as the light of the word of God drawing us together.

EARTH: Shows cracks symbolizing our divisiveness and diversity, yet the faith we confess unites us with the one universal church.

SECURE HANDS: God reminds us that He who holds our world together in turmoil will unite us in the grace of Jesus Christ.

WHITE SYMBOL:

DESCENDING DOVE OF PEACE: Baptism of Christ.

OPEN BIBLE: Word of God.

FONT: Sacrament of Baptism.

TABLE: Sacrament of Communion - Preaching of the Word.

FLAMES: Burning Bush - Pentecost.

OVER ALL IMAGE: Human figure with outstretched arms.


Gay Sorensen created this design in 1994 and it is now the official design for the 9th Confessional Banner of the Presbyterian Church (USA) ©1996 FPC

ENTRY DOORS

Left to Right: Seagull & Cross, Celtic Cross, Celtic Cross, Dove & Cross

NOAH'S ARK

The rainbow design joins together Noah's Ark, from the Old Testament and Jesus With Children from the New Testament. The dove in flight, carries an olive branch as the animals leave the Ark. Lily, Hyacinth, Iris, Poppy and Castor Bean are plants named in the Bible. Jesus With the Children is self explanatory. Love radiates among the figures.


JESUS WITH CHILDREN


CHANCEL WINDOW
A Free Standing Open Book

The natural light at the center of the cross gives us the opportunity to worship within the light of the Lord. We believers carry His light within us. The figure is quiet and loving as outstretched hands offer a giving and receiving gesture. The face is clear to encompass all races, and the features could be representative of anyone. The nimbus is the light surrounding the head of a holy person, symbolic of Christian art throughout the ages. The storm clouds symbolize the turbulent world, and the personal hurricanes within us, contrasting the serene figure seeking strength from the cross.

The descending dove represents the Holy Spirit, one of the oldest symbols in the Christian Church. The clear circles within the moving lines of the dove symbolize the Holy Spirit's gifts on the day of Pentecost; love, joy, peace, long suffering, gentleness, goodness and faith. Galatians 5:22 The twelve clear circles around and within the light at the center symbolize the twelve disciples of Christ. The background includes shades of all God's colors symbolizing the seasons of the earth and our lives.

HISTORY OF THE STAINED GLASS WINDOWS

At the Annual Meeting in January, 1995, committee leaders were asked this question: "What are your dreams for our church within the next five years?" A long list was compiled. The Liturgical Guild, organized by Gay Sorensen, ranked stained glass windows as a high priority. One month later eight people met to discuss the possibilities of designing and building windows with Biblical themes. This ambitious project became a reality masterminded by Gay, a woman who dreams big dreams and engineers them to completion with God's help.

First, ideas were exchanged. Next, Gay created many watercolor designs, often making changes as suggestions warranted. Then decisions were made for work rooms, racks for storage of glass, lead came, rebar and zinc framing. Two work tables four feet by six feet were constructed. The final watercolor designs for six sanctuary windows were presented to the Session in June 1995, with the Cross as the main theme. Throughout the summer, Gay enlarged these designs, free hand, to a size of forty three inches by fifty nine inches. Each pattern piece was designed so that the glass could be cut exactly to that shape. Seed money was donated for materials throughout the Spring without requesting funding from the congregation.

Thousands of pounds of supplies were purchased requiring monumental decisions of color, size, texture, quantity and quality. A bus and van transported everything a distance of two hundred miles, loaded and unloaded by volunteers. Glass was then sorted, labeled and stored. Organization was crucial.

By October 1995, full production of the windows began with a few dedicated people. Additional volunteers traced and cut paper patterns, cut glass, fitted came, and cleaned the finished windows. The first window was completed within three months and in place by Christmas. The initial window became a motivational force and the six windows evolved into eighteen with an average time of one to two months for completion.

Trends of the Chimes, the church newsletter, reported monthly the progress of the stained glass window committee. Within several months all the windows had been purchased by members, either to glorify God, or in memory/honor of family and friends.

By the end of 1996, the committee started the Chancel window which measured sixteen feet by seventeen feet. After approval of the design, it became the greatest engineering challenge; a window of twenty stained glass sections.

Three mornings each week, volunteers continued tracing and organizing pattern pieces into large envelopes. Additional volunteers cut and fit glass, built two windows simultaneously, while a third was puttied and cleaned. An opening four feet by four feet was cut through the outside wall of the Chancel. Glass blocks were inserted allowing for God's light at the apex of the cross. Installation of fluorescent lighting, with dimmer controls, enhanced the beauty of the windows. Mter only six months the massive free standing open book was secured in place behind the permanently suspended wooden cross. Easter 1997, with gratitude and thanksgiving, we rejoiced.

Work continued two mornings each week concentrating on four Narthex doors. At the same time three Chapel windows were also being constructed with a theme Sky, Earth and Sea - "and God saw that it was good." Following that, the Good Shepherd window, in the library, and the Ninth Presbyterian Confessional Banner window were completed.

The final project was a gift to the children of the church. Two windows were installed in the Youth Hall, one depicting Noah's Ark, the other Jesus with Children.

After twenty seven months and thousands of volunteer hours, we were most grateful to God for continued strength permitting us to accomplish our goal. January, 1998, only three years after the idea, presented as a dream, the windows became a reality. May these eighteen stained glass windows now serve as a reminder for generations to come that with God all things are possible.


DONORS

FINANCIAL

Frances H. Baerwald
Kenneth & Frances Baerwald
The Ross Baerwald Family
Mr. & Mrs. Robert B. Bailey
Louise Lentz Bankard
Florence K. Bishop
Marsha Brown
Martha E. Budlong
Paul & Phyllis Chu
Ellie Clark
Bruce C. & Ruth Clinesmith
Wilma V. Cross
Hank and Nancy Dawson
The Drake Family
Friends of Ruth Ealy
Malcomb Ferguson
Stephen & Virginia Ferjanec
Barbara Fund
Karen B. Gabel
Peggy Gillis
Robert Kerr
Jane Woods Kingston
The Randall Lanford Family
Donald & Helen Langdon
Mr.& Mrs. Paul B. Leach
Leighty Family and Friends
Mr. & Mrs. Donald Leitch
Doug & Mabel McCaughey
Harry & Evelyn Meck
Dr. J. Frank & Arlene. J. Nash
Mrs. Madeleine Nystrom
Rev. Homer & Betty Ogle
William & Ann Oliver
Betty J. & Olga Panik
Beulah Parrinelli
Warren G. & Mary F. Payne
Fred Burnett Powers
Norma Larson Powers
Family of Tillie Ruettinger
Mrs. Elizabeth R. Seward
Mr. & Mrs. C. Robert Sharpless
Margaret Shepherd & Family
Friends of Gay Sorensen
Donald & Gay Sorensen
Robert Swirles
Carolyn Taylor
Evelyn R. Tomlinson
Katherine E. Turner
Olive B. Weaver
Friends of Dean Weaver
Clark & Jo Wierhake
Roger Vaughn
Raymond & Millicent Vesper

VOLUNTEERS - TIME AND TALENT
ARTISTS

Ray Forseille
Bob Hull
Harry Meck
Kurt Muhlberg
Lindsay Norman
Thelma Pindar
Dale Sensenig
Tom Slayton
Gay Sorensen
Carolyn Taylor
Helen Turner
Pearl Wallis
Dean Weaver

ASSISTANTS

Eleanor Adams
Marvin Coil
Ken Cuthbert
Judy Dickenson
Dee Dressler
Gladys Foley
John Foust
Virginia Ferjanec
Gay Keller
RuthAnn Jones
Pauline Kummer
Mabel McCaughey
Virginia Shaffer
Bertha Slayton
Doris Wackenbarth
Olive Weaver
Millicent Vesper

VARIOUS TALENTS

Craig Baird
Doug Braun
Rev. Michael Dunkelberger
Al Evans
Kenneth Ferris
Larry Gantz
Dr. John R. Hunt
Rev. Thomas D. Keizer
Earl King
Earl Lewis
James MacKenzie
Charlotte Morey
H. Wendell Palm
Judy Robinson
Craig Shepherd
Brooke Simcox
Donald Sorensen
Jackie Vaughn


GAY SORENSEN - DESIGNER/DIRECTOR

Gay retired to Port Charlotte in 1992 after teaching Art in Michigan Public Schools for thirty years. She holds a B.S. Degree and a M.A. Degree in Art Education from Wayne State University. Throughout her career she has studied Art at the Rhode Island School of Design, Center for Creative Studies, University of Colorado, Art Institute of Pittsburgh and Colorado Art Institute.


Copyright © 1998. All rights reserved; no part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means, electronic, mechanical, photocopying, recording or otherwise without prior written permission of First Presbyterian Church. Full scale window patterns and directions may be purchased from First Presbyterian Church.

References: The Holy Bible, King James Version, published by World Publishing Company. Good News Bible, American Bible Society.



First Presbyterian Church of Port Charlotte • 2230 Hariet Street, Port Charlotte, FL 33952
Telephone: (941) 625-5045 • Fax: (941) 625-0736 • Email: info@fpcpc.com